{"title":"Latin Best Sellers","description":"\u003cp\u003eTop-selling Latin by Alliance sales rank.\u003c\/p\u003e","products":[{"product_id":"astrud-gilberto-album","title":"Astrud Gilberto Album - Astrud Gilberto (Vinyl)","description":"\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 889397107055\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Imt\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.24.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Astrud Gilberto","offers":[{"title":"Default Title","offer_id":39759899001016,"sku":"889397107055","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6929\/0168\/products\/Monostereo-Astrud-Gilberto-Astrud-Gilberto-Album-Vinyl_ypLCr.jpg?v=1669293385"},{"product_id":"gates-of-gold","title":"Gates Of Gold","description":"\u003cp\u003eLos Lobos were already seasoned veterans who had close to a decade of live work under their belts when the 1983 EP ...And a Time to Dance introduced them to an audience outside Los Angeles, and 32 years on, not only are Los Lobos still together, they're playing with the strength, fire, and imagination that have made them one of America's truly great rock \u0026amp; roll bands. Gates of Gold is Los Lobos' 17th studio album, and it arrives as a biography of the group, Los Lobos: Dream in Blue by Chris Morris, has been published, and while some groups might use this as an opportunity to look to the past or sum up their accomplishments, that's not how Los Lobos do business. One one hand, Gates of Gold does offer a healthy sampling of the many things that Los Lobos do well, from the straight-ahead rock of \"Too Small Heart\" and the raucous blues blast of \"Mis-Treater Boogie Blues\" to the fiery Latin swagger of \"Poquito Para Aqui,\" the heartfelt folky simplicity of \"La Tumba Sera el Final,\" and the inward-looking experimentalism of \"There I Go\" (the latter of which could pass for an outtake from Sly \u0026amp; the Family Stone's There's a Riot Goin' On). But on the other hand, even if Los Lobos follow a few recognizable tropes from their songbook, none of these songs or this material sounds rote, and the jazz-flavored space walk through \"When We Were Free\" confirms this band is a long way from running out of new ideas. The performances are taut and intuitive on Gates of Gold, especially the always outstanding guitar work from David Hidalgo and Cesar Rosas (the latter is still a solid blues howler four decades on), and the production revels in new and unexpected sounds, though never simply for the sake of being eccentric. Los Lobos have lasted because they follow their instincts and trust their talents, neither of which seem capable of letting them down; Gates of Gold shows they can contemplate the infinite and chart new paths while still sounding like no one but themselves, and they can do all of this with the force and agility they commanded when half their age. 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The New York Times said: “This joyous, wide-ranging account of a New Orleans jazz band's 2015 visit to Cuba is crammed with fascinating facts and toe-tickling tunes.” And, from the LA Times: “Jaunty, at times poetic chats and drop-ins with many Big Easy and Cuban jazz artists, discussion of their music’s African lineage (the Atlantic slave trade factored in), stirring examples of native instrumentation, and pulsating performances combine with colorful, travelogue-type shots (love those old Cuban theaters) and vivid archival footage to create a vibrant and joyous portrait.” Preservation Hall Jazz Band’s Ben Jaffe said of “Kreyol,” the lead single from the soundtrack: “Every evening in Havana people gather along the waterfront to socialize. I’ve always been taken by the tempo at which people stroll, like New Orleans, there’s a very particular rhythm to their walk. 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Three spellbinding and transportive new songs take listeners inside a magical and deeply personal experience Carlos Santana had when he visited the Louvre and set his eyes on Leonardo da Vinci’s beguiling masterpiece. 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